Background Image: D. Furness, Wellcome Trust
Background Image: D.Furness, Wellcome Trust
Below you will find a selection of texts and references that informed our research
Link to a dancing hair cell: https://auditoryneuroscience.com/ear/dancing_hair_cell
Link to the Ear Institute and their Taster Course in Audiology: https://www.ucl.ac.uk/ear/study/audiology-taster-course
Link to Anatomy of Human Body by Henri Gray: https://archive.org/details/anatomyofhumanbo1918g from page 1029 onwards
Link to How Do We Listen? An Interview with New Music Curator Kamila Metwalyhttps://www.on-curating.org/issue-44-reader/how-do-we-listen-an-interview-with-new-music-curator-kamila-metwaly.html#.YcCaxiynxp9
Link to Inventions of Sound: https://www.bbc.co.uk/programmes/m000t4km see also transcript
Links to writings on Kodwo Eshun and The Otolith Group:
Jan 27th, 2017 McKenzie Wark https://publicseminar.org/2017/01/black-accelerationism/
Nov 20th, 2012 Beatrice Ferrara. http://www.darkmatter101.org/site/2012/11/29/%E2%80%9Cmy-measurement-of-race-is-rate-of-vibration%E2%80%9D-afrofuturism-and-the-%E2%80%98molecularization%E2%80%99-of-race/
Link to The Sound of Deafness: https://www.bbc.co.uk/sounds/play/p00y4pg4
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Link to article by musicologist and philosopher Lawrence Kramer May2nd, 2020. : https://thequietus.com/articles/28198-lawrence-kramer-covid19-essay
after reading the article, Petra comes across diary notes from 2011:
Zendai Diary Monday Day 6
I wanted to explore the role of dancers, in ancient times, I saw it as the ones who would make movements not to please an audience but to set the air in motion which would then by touching prepared wind instruments set off a sound, a melody
Their bodies would move to play a melody not to please the eye.
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